“New thresholds of Vision: Instantaneous Photography and the Early Cinema of Lumière.” In Impossible Presence: Surface and Screen in the Photogenic Era, ed. Terry Smith, pp. 71–100. Sidney: Powers Publications, 2001.
“What’s the Point of an Index? or, Faking Photographs.” In Still Moving: Between Cinema and Photography, eds. Karen Beckman and Jean Ma, pp. 23–40. Durham, N. C.: Duke University Press, 2008. First published in Nordicom Review, vol. 25, Issue 1–2 （August 2004）, pp. 39–49.
“The Art of Succession: Reading, Writing, and Watching Comics.” Critical Inquiry（University of Chicago Press）, vol. 40, no. 3 （Spring 2014）, pp. 36–51.
“Moving Away from the Index: Cinema and the Impression of Reality.” In Film Theory Reader: Debates & Arguments, ed. Marc Furstenau （Routledge, 2010）, pp. 255–69. First published in differences, vol. 18, no. 1 （2007）, pp. 29–52.
“The Attraction of Motion: Modern Representation and the Image of Movement.” In Film 1900: Technology, Perception, Culture, eds. Annemone Ligensa and Klaus Kreimeier, pp. 165–73. New Barnet, Herts: John Libbey Publishing Ltd., 2009.
“The Play between Still and Moving Images: Nineteenth-Century ‘Philosophical Toys’ and their Discourse.” In Between Stillness and Motion: Film, Photography, Algorithms, ed. Eivind Røssaak, pp. 27–43. Amsterdam: Amsterdam University Press, 2011.
“The Transforming Image: the Roots of Animation in Metamorphosis and Motion.” In Pervasive Animation, ed. Suzanne Buchan, pp. 52–69. New York and London: Routledge, 2013.
“Animating the Instant: the Secret Symmetry between Animation and Photography.” In Animating Film Theory, ed. Karen Beckman, pp. 37–53. Durham and London: Duke University Press, 2014.
“Gollum and Golem: Special Eects and the Technology of Artificial Bodies.” In From Hobbits to Hollywood: Essays on Peter Jackson’s Lord of the Rings, eds. Ernest Mathijs and Murray Pomerance, pp. 319–49. Amsterdam: Rodopi, 2006.